Wabi Sabi by Mark Reibstein6/1/2023 ![]() ![]() While preparing for in-gallery discussions, a myriad of cultural touchpoints leap at me and beg inclusion. Invariably, the facts gleaned are stories reaped I’ve discovered that for me, sharing art is about the story. Seems straightforward: rustic wares made for and used in tea ceremonies comprise tea bowls, flower vases, and platters (and a few sake vessels to broaden the experience).Īs a curator of education (not an art historian) who creates a variety of experiences for four different exhibitions each year, my initial research is pragmatic and deliberate, focused on medium, process, and subject. this exhibition showcases ceramic objects of unsurpassed beauty made for everyday use.” To quote Asian art historian Meher McArthur who curated Contemporary Japanese Ceramics: Nature, Tradition & Innovation for tour, “. My task is to research artworks on view to reveal and share points of entry and engagement for visitors of all ages and stages. Atarashi Kanji, “Iga Vase,” 2009, Iga ware, glazed stoneware ![]()
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